1.847 file audio bebas royalti untuk "A Pub On Every Corner"

The song Old McDonald Had A Farm, performed by Gid Tanner and his Skillet Lickers

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

For he's a jolly good fellow

Cello Concerto No. 1 in A minor, op. 33 - 3rd movement (tempo primo)

The hymn "Eternal Father, Strong to Save", sung a capella by the U.S. Navy Band Sea Chanters ensemble

*Neutral third on C = E. Equal-tempered: 27/24:1 = 350 cents. MIDI pitch bend: 0,80 Preceded by:File:Five quarter tones on C.mid

Let us break bread together on our knees Kommt, wir teilen das Brot am Tisch des Herrn, Evangelisches Gesangbuch Bayern-Thüringen 579

Taps played on the bugle by a member of the U.S. Army Band. It is played by the U.S. military nightly to indicate that it is "lights out". Taps became an official component of military funerals in 1874. The song accompanies a funeral procession at Arlington National Cemetery, and is generally present at most funerals.

Drum Cadence A performed by the United States Navy Band

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Anchors Aweigh played by the United States Naval Academy Band in 1969.

Ελληνικά: Φούγκα 19. από το Καλά Συγκερασμένο Κλειδοκύμβαλο Ι του Γ. Σ. Μπαχ. Fugue 19 from Bach's The Well-Tempered Clavier.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Richard Strauss' Burleske (1886), performed by Neal O'Doan with the Seattle Philharmonic Orchestra in 1991. Conducted by Nico Snel.[1]

Ombra mai fu from Handel's 1738 opera Serse (a.k.a. Xerxes), sung by Enrico Caruso. Recorded 29 Jan 1920, Matrix: C-23714, Victor Cat: 88617

Bartók's Sonatina.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto) and movement IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. (Allegro) There is no pause between the two movements.

Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “

Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101.

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement II: Lebhaft, marschmäßig (Vivace alla marcia) Klaviersonate Nr. 28, 2. Satz

Go Tell It on the Mountain performed by the Airmen of Note of the United States Air Force Band. Track 19 from A Holiday Sampler (2009). Track 1 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

A United States Navy Band performance of «Oh! Susanna» arranged by Senior Chief Musician Ralph Martino, Cimarron Music Press Українська: «О! Сусанна» композитора Стівена Фостера у виконанні групи ВМС США.

Csárdás, composed around 1904 by Vittorio Monti based on csárdás, a Hungarian folk dance, performed by the United States Air Force Band. Čeština: Čardáš od Vittoria Montiho (v podání The United States Air Force Band) Csárdás, componiert von Vittorio Monti um 1904 und gespielt von der United States Air Force Band Csárdás de Vittorio Monti, interprété par The United States Air Force Band Italiano: Csárdás, composizione di Vittorio Monti, registrazioni della The United States Air Force Band Македонски: „Чардаш“ од Виторио Монти (1904) во изведба на оркестарот на Военото воздухопловство на САД.

Materna, performed by the United States Navy Band.

Cello concerto no. 1 in a minor, op. 33 - i. allegro non troppo

You're a Grand Old Flag (tempo 110)

Toccata from L'Orfeo, composed by Claudio Monteverdi in 1607. Performers: Bangkok Baroque Ensemble Trisdee na Patalung, harpsichord and direction Siripong Tiptan, violin Omphorn Kowintha, violin Ekachai Maskulrat, cello Lertkiat Chongjirajitra, trumpet (principal) Performed at the Shangri-La Hotel, Bangkok, Thailand on December 17, 2005 Aufnahme der "Toccata" aus der frühen Barockoper L’Orfeo von Claudio Monteverdi, aus dem Jahr 2005

w:Ave Maria, performed by The w:United States Navy Band's Sea Chanters ensemble

Gesù bambino is an Italian Christmas carol composed by Pietro Yon in 1917, and translated into English by Frederick H. Martens. Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major), c. 2010.

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Twelve Variations on "Ah vous dirai-je, Maman", K. 265 by Wolfgang Amadeus Mozart; 11:51 minutes

Serenade for Strings by w:Edward Elgar

Symphony No. 4 in A major, Op. 90, 'Italian', op. 90 - i. allegro vivace. Sinfonie Nr. 4 in A-Dur op. 90, „Italienische“, 1. Satz (allegro vivace). Symfoni nr 4 i A-dur (italienska symfonin) opus 90; 1:a satsen "Allegro vivace"

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 2nd movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Please excuse the naming convention. It is for a university project that i had to begin with my student number. This is a recording of keys being picked up and placed back down.

Nè gustare m'è dato un'ora... from act 3, scene 3 of La forza del destino (1862), by Giuseppe Verdi. Sung by Enrico Caruso and Giuseppe De Luca, I believe for Pearl.

Pleurez, pleurez, mes yeux from Jules Massenet's Le Cid (1885) sung by Marguerita Sylva for Edison Records in 1910. This recording is Edison Amberol #40021.

How can they tell that I'm Irish? performed by Edward M. Favor (1856-1936). Edison Standard Record #10345 from 1910 Comic song. Vocal solo with orchestra accompaniment. Composed by Clarence Wainwright Murphy (1875-1913)

Schubert Sonata in B scherzo bars 21-24

This is the original, unrestored file. "Shine On, Harvest Moon", by husband-and-wife songwriting team Jack Norworth and Nora Bayes was one of the big hits of the 1908 Ziegfield Follies, and remains well-known to this day. This recording from 1909 features two of the biggest stars of early-twentieth-century America, Ada Jones and Billy Murray. Produced by Edison Records, this is Edison Standard Record #10134.

piano concerto in a minor, op. 16 - i. allegro molto moderato Македонски: Концерт за пијано во а-мол, оп. 16 (1868) од Едвард Григ. Koncert fortepianowy a-moll op. 16, część 1. Allegro molto moderato skomponowany w 1868 roku przez Edvarda Griega.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 40 Fugue No. 20 in A minor, BWV 865

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 37 Prelude No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 38 Fugue No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 37 Prelude No. 19 in A major, BWV 864

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 1st movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 40 Fugue No. 20 in A minor, BWV 865

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 39 Prelude No. 20 in A minor, BWV 865